This novel, first one by Nalo Hopkinson, surprised me very much, and very pleasantly at that. It tells the story of Ti-Jeane, a woman in (presumably) her early twenties, who lives with her grandmother. Mami, the grandmother, is both a well-trained professional nurse and the local herbalist who treats diseases and aches in both modern and not-so-modern ways. She summons and talks to the spirits, and generally takes care of the populace of central Toronto after its economic and social downfall. In the novel, a lot of instability has led to riots and to the abandonment of central Toronto some years ago, which forms the setting and the premise for the plot. Governmental structures have moved out to the suburbs; no one guarantees the security and the welfare of the city-centre population any more.
In this world of insecurity, Ti-Jeane is looking after her young baby whose father is Ti-Jeane’s ex-boyfriend Tony, a member of the local gang who also uses buff, a rather powerful drug. Trouble walks in when Rudy, the boss of the gang, receives a contract to “find”, as soon as possible, a human heart for transplantation into no other body than that of Canada’s Prime Minister at the time. Rudy gives that task to Tony who has dipped a finger or two in the gang’s buff and has to repay his transgressions, this time in blood.
What follows is an indescribable adventure that involves murder, spirits, the return of people thought long lost, and a fight for life amidst the threat of eternal death and imprisonment and pain. Hopkinson manages to implicate all possible levels of society into her story. I was amazed at the way she renders the consequences of a decision both strictly local, then regional, then almost global, and also extant on several levels in between. From a very formal, academic point of view, this novel interweaves concepts and strategies from the three thickest branches of the tree of speculative fiction: fantasy, horror, and sci-fi. This results in a story one literally cannot put down. The stakes for all characters are very high at all times: they all fear things more sinister than death; they all experience both true horror before the unknown, and true stomach-churning disgust at the evil deeds of others; they all hope and fight for the best, and put every last piece of energy they have into that.
To cut to the chase, Hopkinson engages her readers with a story that is both very tough and very optimistic. She boldly goes beyond genre cliches and delivers a narrative about the power of the spirit and the enormity of change. After I read the final pages of Brown Girl in the Ring, I walked around stunned, with a smile on my face that didn’t disappear for hours. Such is the strength that this story gives its readers: I found that the transformative potential of the social decisions Hopkinson elaborates upon is not only immense, but also inescapable. It is in our hands and minds to take those decisions for the good of absolutely everyone, and not only of those hungry for more and more money and power. Nalo Hopkinson’s Brown Girl in the Ring clearly shows what the fruit of such careful, suffered-for decisions tastes like. Please believe me, for I tell you true: it is delicious.